痴心女子负心郎1948

《痴心女子负心郎1948》讲述的是什么故事？

《痴心女子负心郎1948》　　Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

一、《痴心女子负心郎1948》是哪一年上映的？

《痴心女子负心郎1948》是刘易斯·艾伦于1948年拍摄的一部经典剧情片。此片开创美国当代剧情片的先河，《痴心女子负心郎1948》上映时票房稳坐前三，创下当年纪录。当时雷·米兰德,安·托德,杰拉丁·菲茨杰拉德均为最佳主角，雷·米兰德,安·托德,杰拉丁·菲茨杰拉德以精彩演技和突出形象，奠定在美国影坛地位。雷·米兰德,安·托德,杰拉丁·菲茨杰拉德饰演角色造型多年后仍为人所模仿。刘易斯·艾伦之前曾被人怀疑其能力，而《痴心女子负心郎1948》却奠定刘易斯·艾伦剧情片风格。《痴心女子负心郎1948》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1948年代）美国优秀剧情片齐名。

二、被称为剧情片的开先河之作的《痴心女子负心郎1948》，是刘易斯·艾伦最好的作品吗？

从刘易斯·艾伦斩获剧情片最佳导演开始，很多观众就觉得这部《痴心女子负心郎1948》是他极具代表性的剧情片。虽然刘易斯·艾伦后来还拍出过评价很好的作品，但是《痴心女子负心郎1948》依然常被认为是他剧情片创作中的重要代表。

三、《痴心女子负心郎1948》为什么可以成为经典？

提起美国，不少观众都会想到《痴心女子负心郎1948》的名字。这部由刘易斯·艾伦导演，雷·米兰德,安·托德,杰拉丁·菲茨杰拉德主演的《痴心女子负心郎1948》，在当时凭借鲜明的人物塑造和紧凑的剧情片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《痴心女子负心郎1948》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《痴心女子负心郎1948》？

《痴心女子负心郎1948》口碑表现稳定，深受广大观众喜爱。不仅雷·米兰德,安·托德,杰拉丁·菲茨杰拉德的表演有看点，而且该剧情片故事情节紧凑，影院2（2.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《痴心女子负心郎1948》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《痴心女子负心郎1948》剧情片的主要内容

《痴心女子负心郎1948》是一部剧情片作品，由导演刘易斯·艾伦执导，雷·米兰德,安·托德,杰拉丁·菲茨杰拉德主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的剧情片故事。

《痴心女子负心郎1948》　　Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.