极度恐慌1983

《极度恐慌1983》讲述的是什么故事？

《极度恐慌1983》　　PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.　　http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm

一、《极度恐慌1983》是哪一年上映的？

《极度恐慌1983》是Jacinto Molina于1983年拍摄的一部经典恐怖片。此片开创西班牙当代恐怖片的先河，《极度恐慌1983》上映时票房稳坐前三，创下当年纪录。当时Paul Naschy,Julia Saly,Lola Gaos均为最佳主角，Paul Naschy,Julia Saly,Lola Gaos以精彩演技和突出形象，奠定在西班牙影坛地位。Paul Naschy,Julia Saly,Lola Gaos饰演角色造型多年后仍为人所模仿。Jacinto Molina之前曾被人怀疑其能力，而《极度恐慌1983》却奠定Jacinto Molina恐怖片风格。《极度恐慌1983》首映时曾获海外恐怖片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1983年代）西班牙优秀恐怖片齐名。

二、被称为恐怖片的开先河之作的《极度恐慌1983》，是Jacinto Molina最好的作品吗？

从Jacinto Molina斩获恐怖片最佳导演开始，很多观众就觉得这部《极度恐慌1983》是他极具代表性的恐怖片。虽然Jacinto Molina后来还拍出过评价很好的作品，但是《极度恐慌1983》依然常被认为是他恐怖片创作中的重要代表。

三、《极度恐慌1983》为什么可以成为经典？

提起西班牙，不少观众都会想到《极度恐慌1983》的名字。这部由Jacinto Molina导演，Paul Naschy,Julia Saly,Lola Gaos主演的《极度恐慌1983》，在当时凭借鲜明的人物塑造和紧凑的恐怖片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《极度恐慌1983》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《极度恐慌1983》？

《极度恐慌1983》口碑表现稳定，深受广大观众喜爱。不仅Paul Naschy,Julia Saly,Lola Gaos的表演有看点，而且该恐怖片故事情节紧凑，影院2（2.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《极度恐慌1983》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《极度恐慌1983》恐怖片的主要内容

《极度恐慌1983》是一部恐怖片作品，由导演Jacinto Molina执导，Paul Naschy,Julia Saly,Lola Gaos主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的恐怖片故事。

《极度恐慌1983》　　PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.　　http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm