颜色

《颜色》讲述的是什么故事？

《颜色》　　Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".　　brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.　　Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'

一、《颜色》是哪一年上映的？

《颜色》是Huan Vu于2010年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河，《颜色》上映时票房稳坐前三，创下当年纪录。当时Marco Leibnitz,Ingo Heise,Michael Kausch,Olaf Krätke,Jürgen Heimüller,Paul Dorsch均为最佳主角，Marco Leibnitz,Ingo Heise,Michael Kausch,Olaf Krätke,Jürgen Heimüller,Paul Dorsch以精彩演技和突出形象，奠定在其它影坛地位。Marco Leibnitz,Ingo Heise,Michael Kausch,Olaf Krätke,Jürgen Heimüller,Paul Dorsch饰演角色造型多年后仍为人所模仿。Huan Vu之前曾被人怀疑其能力，而《颜色》却奠定Huan Vu剧情片风格。《颜色》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指2010年代）其它优秀剧情片齐名。

二、被称为剧情片的开先河之作的《颜色》，是Huan Vu最好的作品吗？

从Huan Vu斩获剧情片最佳导演开始，很多观众就觉得这部《颜色》是他极具代表性的剧情片。虽然Huan Vu后来还拍出过评价很好的作品，但是《颜色》依然常被认为是他剧情片创作中的重要代表。

三、《颜色》为什么可以成为经典？

提起其它，不少观众都会想到《颜色》的名字。这部由Huan Vu导演，Marco Leibnitz,Ingo Heise,Michael Kausch,Olaf Krätke,Jürgen Heimüller,Paul Dorsch主演的《颜色》，在当时凭借鲜明的人物塑造和紧凑的剧情片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《颜色》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《颜色》？

《颜色》口碑表现稳定，深受广大观众喜爱。不仅Marco Leibnitz,Ingo Heise,Michael Kausch,Olaf Krätke,Jürgen Heimüller,Paul Dorsch的表演有看点，而且该剧情片故事情节紧凑，影院2（2.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《颜色》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《颜色》剧情片的主要内容

《颜色》是一部剧情片作品，由导演Huan Vu执导，Marco Leibnitz,Ingo Heise,Michael Kausch,Olaf Krätke,Jürgen Heimüller,Paul Dorsch主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的剧情片故事。

《颜色》　　Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".　　brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.　　Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'