造物的奇迹

《造物的奇迹》讲述的是什么故事？

《造物的奇迹》　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

一、《造物的奇迹》是哪一年上映的？

《造物的奇迹》是Hanns Walter Kornblum于1925年拍摄的一部经典科幻片。此片开创其它当代科幻片的先河，《造物的奇迹》上映时票房稳坐前三，创下当年纪录。当时Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl均为最佳主角，Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl以精彩演技和突出形象，奠定在其它影坛地位。Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl饰演角色造型多年后仍为人所模仿。Hanns Walter Kornblum之前曾被人怀疑其能力，而《造物的奇迹》却奠定Hanns Walter Kornblum科幻片风格。《造物的奇迹》首映时曾获海外科幻片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1925年代）其它优秀科幻片齐名。

二、被称为科幻片的开先河之作的《造物的奇迹》，是Hanns Walter Kornblum最好的作品吗？

从Hanns Walter Kornblum斩获科幻片最佳导演开始，很多观众就觉得这部《造物的奇迹》是他极具代表性的科幻片。虽然Hanns Walter Kornblum后来还拍出过评价很好的作品，但是《造物的奇迹》依然常被认为是他科幻片创作中的重要代表。

三、《造物的奇迹》为什么可以成为经典？

提起其它，不少观众都会想到《造物的奇迹》的名字。这部由Hanns Walter Kornblum导演，Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl主演的《造物的奇迹》，在当时凭借鲜明的人物塑造和紧凑的科幻片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《造物的奇迹》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《造物的奇迹》？

《造物的奇迹》口碑表现稳定，深受广大观众喜爱。不仅Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl的表演有看点，而且该科幻片故事情节紧凑，影院2（2.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《造物的奇迹》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《造物的奇迹》科幻片的主要内容

《造物的奇迹》是一部科幻片作品，由导演Hanns Walter Kornblum执导，Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的科幻片故事。

《造物的奇迹》　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.