心中的故乡

《心中的故乡》讲述的是什么故事？

《心中的故乡》　　Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword:　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.

一、《心中的故乡》是哪一年上映的？

《心中的故乡》是尹龙奎于1949年拍摄的一部经典剧情片。此片开创韩国当代剧情片的先河，《心中的故乡》上映时票房稳坐前三，创下当年纪录。当时Choi Eun-Hee, Byeon Ki-Jong, Yoo Min, Kim Seon-Young, Seok Keum-Seong, Nam Seung-Min均为最佳主角，Choi Eun-Hee, Byeon Ki-Jong, Yoo Min, Kim Seon-Young, Seok Keum-Seong, Nam Seung-Min以精彩演技和突出形象，奠定在韩国影坛地位。Choi Eun-Hee, Byeon Ki-Jong, Yoo Min, Kim Seon-Young, Seok Keum-Seong, Nam Seung-Min饰演角色造型多年后仍为人所模仿。尹龙奎之前曾被人怀疑其能力，而《心中的故乡》却奠定尹龙奎剧情片风格。《心中的故乡》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1949年代）韩国优秀剧情片齐名。

二、被称为剧情片的开先河之作的《心中的故乡》，是尹龙奎最好的作品吗？

从尹龙奎斩获剧情片最佳导演开始，很多观众就觉得这部《心中的故乡》是他极具代表性的剧情片。虽然尹龙奎后来还拍出过评价很好的作品，但是《心中的故乡》依然常被认为是他剧情片创作中的重要代表。

三、《心中的故乡》为什么可以成为经典？

提起韩国，不少观众都会想到《心中的故乡》的名字。这部由尹龙奎导演，Choi Eun-Hee, Byeon Ki-Jong, Yoo Min, Kim Seon-Young, Seok Keum-Seong, Nam Seung-Min主演的《心中的故乡》，在当时凭借鲜明的人物塑造和紧凑的剧情片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《心中的故乡》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《心中的故乡》？

《心中的故乡》口碑表现稳定，深受广大观众喜爱。不仅Choi Eun-Hee, Byeon Ki-Jong, Yoo Min, Kim Seon-Young, Seok Keum-Seong, Nam Seung-Min的表演有看点，而且该剧情片故事情节紧凑，影院2（2.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《心中的故乡》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《心中的故乡》剧情片的主要内容

《心中的故乡》是一部剧情片作品，由导演尹龙奎执导，Choi Eun-Hee, Byeon Ki-Jong, Yoo Min, Kim Seon-Young, Seok Keum-Seong, Nam Seung-Min主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的剧情片故事。

《心中的故乡》　　Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword:　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.