丹麦小村教堂

《丹麦小村教堂》讲述的是什么故事？

《丹麦小村教堂》　　The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

一、《丹麦小村教堂》是哪一年上映的？

《丹麦小村教堂》是卡尔·西奥多·德莱叶于1947年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河，《丹麦小村教堂》上映时票房稳坐前三，创下当年纪录。当时Ib Koch-Olsen均为最佳主角，Ib Koch-Olsen以精彩演技和突出形象，奠定在其它影坛地位。Ib Koch-Olsen饰演角色造型多年后仍为人所模仿。卡尔·西奥多·德莱叶之前曾被人怀疑其能力，而《丹麦小村教堂》却奠定卡尔·西奥多·德莱叶剧情片风格。《丹麦小村教堂》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1947年代）其它优秀剧情片齐名。

二、被称为剧情片的开先河之作的《丹麦小村教堂》，是卡尔·西奥多·德莱叶最好的作品吗？

从卡尔·西奥多·德莱叶斩获剧情片最佳导演开始，很多观众就觉得这部《丹麦小村教堂》是他极具代表性的剧情片。虽然卡尔·西奥多·德莱叶后来还拍出过评价很好的作品，但是《丹麦小村教堂》依然常被认为是他剧情片创作中的重要代表。

三、《丹麦小村教堂》为什么可以成为经典？

提起其它，不少观众都会想到《丹麦小村教堂》的名字。这部由卡尔·西奥多·德莱叶导演，Ib Koch-Olsen主演的《丹麦小村教堂》，在当时凭借鲜明的人物塑造和紧凑的剧情片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《丹麦小村教堂》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《丹麦小村教堂》？

《丹麦小村教堂》口碑表现稳定，深受广大观众喜爱。不仅Ib Koch-Olsen的表演有看点，而且该剧情片故事情节紧凑，影院2（2.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《丹麦小村教堂》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《丹麦小村教堂》剧情片的主要内容

《丹麦小村教堂》是一部剧情片作品，由导演卡尔·西奥多·德莱叶执导，Ib Koch-Olsen主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的剧情片故事。

《丹麦小村教堂》　　The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.