红花之歌

《红花之歌》讲述的是什么故事？

《红花之歌》“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
As this German count said before, the film displays Stiller’s characteristic artistic virtues. in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.

一、《红花之歌》是哪一年上映的？

《红花之歌》是莫里兹·斯蒂勒于1919年拍摄的一部经典剧情片。此片开创瑞典当代剧情片的先河，《红花之歌》上映时票房稳坐前三，创下当年纪录。当时Greta,约翰·埃克曼,伊迪丝·埃拉斯托夫,奥洛夫·奥斯,Hjalmar,Nils均为最佳主角，Greta,约翰·埃克曼,伊迪丝·埃拉斯托夫,奥洛夫·奥斯,Hjalmar,Nils以精彩演技和突出形象，奠定在瑞典影坛地位。Greta,约翰·埃克曼,伊迪丝·埃拉斯托夫,奥洛夫·奥斯,Hjalmar,Nils饰演角色造型多年后仍为人所模仿。莫里兹·斯蒂勒之前曾被人怀疑其能力，而《红花之歌》却奠定莫里兹·斯蒂勒剧情片风格。《红花之歌》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1919年代）瑞典优秀剧情片齐名。

二、被称为剧情片的开先河之作的《红花之歌》，是莫里兹·斯蒂勒最好的作品吗？

从莫里兹·斯蒂勒斩获剧情片最佳导演开始，很多观众就觉得这部《红花之歌》是他极具代表性的剧情片。虽然莫里兹·斯蒂勒后来还拍出过评价很好的作品，但是《红花之歌》依然常被认为是他剧情片创作中的重要代表。

三、《红花之歌》为什么可以成为经典？

提起瑞典，不少观众都会想到《红花之歌》的名字。这部由莫里兹·斯蒂勒导演，Greta,约翰·埃克曼,伊迪丝·埃拉斯托夫,奥洛夫·奥斯,Hjalmar,Nils主演的《红花之歌》，在当时凭借鲜明的人物塑造和紧凑的剧情片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《红花之歌》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《红花之歌》？

《红花之歌》口碑表现稳定，深受广大观众喜爱。不仅Greta,约翰·埃克曼,伊迪丝·埃拉斯托夫,奥洛夫·奥斯,Hjalmar,Nils的表演有看点，而且该剧情片故事情节紧凑，影院2（2.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《红花之歌》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《红花之歌》剧情片的主要内容

《红花之歌》是一部剧情片作品，由导演莫里兹·斯蒂勒执导，Greta,约翰·埃克曼,伊迪丝·埃拉斯托夫,奥洛夫·奥斯,Hjalmar,Nils主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的剧情片故事。

《红花之歌》“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
As this German count said before, the film displays Stiller’s characteristic artistic virtues. in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.