波兰电影一百年

《波兰电影一百年》讲述的是什么故事？

《波兰电影一百年》　　The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.

一、《波兰电影一百年》是哪一年上映的？

《波兰电影一百年》是帕维尔·洛津斯基于1995年拍摄的一部经典记录片。此片开创其它当代记录片的先河，《波兰电影一百年》上映时票房稳坐前三，创下当年纪录。当时均为最佳主角，以精彩演技和突出形象，奠定在其它影坛地位。饰演角色造型多年后仍为人所模仿。帕维尔·洛津斯基之前曾被人怀疑其能力，而《波兰电影一百年》却奠定帕维尔·洛津斯基记录片风格。《波兰电影一百年》首映时曾获海外记录片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1995年代）其它优秀记录片齐名。

二、被称为记录片的开先河之作的《波兰电影一百年》，是帕维尔·洛津斯基最好的作品吗？

从帕维尔·洛津斯基斩获记录片最佳导演开始，很多观众就觉得这部《波兰电影一百年》是他极具代表性的记录片。虽然帕维尔·洛津斯基后来还拍出过评价很好的作品，但是《波兰电影一百年》依然常被认为是他记录片创作中的重要代表。

三、《波兰电影一百年》为什么可以成为经典？

提起其它，不少观众都会想到《波兰电影一百年》的名字。这部由帕维尔·洛津斯基导演，主演的《波兰电影一百年》，在当时凭借鲜明的人物塑造和紧凑的记录片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《波兰电影一百年》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《波兰电影一百年》？

《波兰电影一百年》口碑表现稳定，深受广大观众喜爱。不仅的表演有看点，而且该记录片故事情节紧凑，影院2（2.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《波兰电影一百年》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《波兰电影一百年》记录片的主要内容

《波兰电影一百年》是一部记录片作品，由导演帕维尔·洛津斯基执导，主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的记录片故事。

《波兰电影一百年》　　The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.