芳心封鎖

《芳心封鎖》讲述的是什么故事？

《芳心封鎖》　　The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

一、《芳心封鎖》是哪一年上映的？

《芳心封鎖》是Gilberto Tofano于1969年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河，《芳心封鎖》上映时票房稳坐前三，创下当年纪录。当时Gila Almagor均为最佳主角，Gila Almagor以精彩演技和突出形象，奠定在其它影坛地位。Gila Almagor饰演角色造型多年后仍为人所模仿。Gilberto Tofano之前曾被人怀疑其能力，而《芳心封鎖》却奠定Gilberto Tofano剧情片风格。《芳心封鎖》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1969年代）其它优秀剧情片齐名。

二、被称为剧情片的开先河之作的《芳心封鎖》，是Gilberto Tofano最好的作品吗？

从Gilberto Tofano斩获剧情片最佳导演开始，很多观众就觉得这部《芳心封鎖》是他极具代表性的剧情片。虽然Gilberto Tofano后来还拍出过评价很好的作品，但是《芳心封鎖》依然常被认为是他剧情片创作中的重要代表。

三、《芳心封鎖》为什么可以成为经典？

提起其它，不少观众都会想到《芳心封鎖》的名字。这部由Gilberto Tofano导演，Gila Almagor主演的《芳心封鎖》，在当时凭借鲜明的人物塑造和紧凑的剧情片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《芳心封鎖》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《芳心封鎖》？

《芳心封鎖》口碑表现稳定，深受广大观众喜爱。不仅Gila Almagor的表演有看点，而且该剧情片故事情节紧凑，影院2（2.hnttlq.cn）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《芳心封鎖》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《芳心封鎖》剧情片的主要内容

《芳心封鎖》是一部剧情片作品，由导演Gilberto Tofano执导，Gila Almagor主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的剧情片故事。

《芳心封鎖》　　The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.