
影片详情
死亡与变形
In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at C
- 类型
- 剧情片
- 年份
- 1983
- 地区
- 英国
- 语言
- 英语
- 导演
- 特伦斯·戴维斯
- 主演
- 威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree
播放地址
《死亡与变形》选集
剧情资料
剧情简介
《死亡与变形》讲述的是什么故事?
《死亡与变形》 In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time he's in middle age caring for his cheerful but dying mother he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men he recalls lovers and his mother's cremation. A nurse sits beside him on his last night in his last breath, he reaches forward and back..
一、《死亡与变形》是哪一年上映的?
《死亡与变形》是特伦斯·戴维斯于1983年拍摄的一部经典剧情片。此片开创英国当代剧情片的先河,《死亡与变形》上映时票房稳坐前三,创下当年纪录。当时威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree均为最佳主角,威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree以精彩演技和突出形象,奠定在英国影坛地位。威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree饰演角色造型多年后仍为人所模仿。特伦斯·戴维斯之前曾被人怀疑其能力,而《死亡与变形》却奠定特伦斯·戴维斯剧情片风格。《死亡与变形》首映时曾获海外剧情片和媒体广泛称誉,被认为其优秀程度,是足以与同时期(指1983年代)英国优秀剧情片齐名。
二、被称为剧情片的开先河之作的《死亡与变形》,是特伦斯·戴维斯最好的作品吗?
从特伦斯·戴维斯斩获剧情片最佳导演开始,很多观众就觉得这部《死亡与变形》是他极具代表性的剧情片。虽然特伦斯·戴维斯后来还拍出过评价很好的作品,但是《死亡与变形》依然常被认为是他剧情片创作中的重要代表。
三、《死亡与变形》为什么可以成为经典?
提起英国,不少观众都会想到《死亡与变形》的名字。这部由特伦斯·戴维斯导演,威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree主演的《死亡与变形》,在当时凭借鲜明的人物塑造和紧凑的剧情片叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合,让《死亡与变形》在同类型作品中具有较高辨识度,也让观众对其中的情节留下深刻印象。
四、如何评价《死亡与变形》?
《死亡与变形》口碑表现稳定,深受广大观众喜爱。不仅威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree的表演有看点,而且该剧情片故事情节紧凑,影院2(2.hnttlq.cn)观看起来流畅,同时还能保持较强的剧情吸引力。虽然不同观众对《死亡与变形》的评价各有侧重,但该片目前的受欢迎程度已经名列同类作品前茅。
五、《死亡与变形》剧情片的主要内容
《死亡与变形》是一部剧情片作品,由导演特伦斯·戴维斯执导,威尔弗里德·布兰贝尔,Terry O'Sullivan,Iain Munro,Jeanne Doree主演。影片围绕主要人物的经历展开,通过人物关系、情节推进和情绪变化,呈现出一段具有观看价值的剧情片故事。
《死亡与变形》 In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time he's in middle age caring for his cheerful but dying mother he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men he recalls lovers and his mother's cremation. A nurse sits beside him on his last night in his last breath, he reaches forward and back..